Inklusi Disabilitas dalam Sinema: Analisis Aspek Sinematik Film Dunia Tanpa Suara

Agus Permana; Riksa Belasunda; Firdaus Azwar Ersyad

doi:10.30812/sasak.v6i2.4145

Agus Permana Universitas Telkom
Riksa Belasunda Universitas Telkom
Firdaus Azwar Ersyad Universitas Telkom

DOI: https://doi.org/10.30812/sasak.v6i2.4145

Abstract

Penelitian ini mengkaji representasi inklusi disabilitas dalam film “Dunia Tanpa Suara” melalui analisis sinematik dengan pendekatan kualitatif deskriptif. Tujuan dari penelitian adalah untuk memahami penggunaan elemen-elemen sinematik seperti mise-en-scene, sinematografi, montase, dan suara dalam menggambarkan pengalaman hidup karakter utama, Arissa, seorang penulis tunarungu wicara sehingga tergambar sejauh mana film ini merepresentasikan prinsip-prinsip inklusi disabilitas. Metode dalam penelitian ini adalah observasi langsung film, tangkapan layar, dan tangkapan audio, kemudian dianalisis menggunakan teori estetika formalis Sergei Eisenstein. Hasil penelitian menunjukkan bahwa film Dunia Tanpa Suara memberikan representasi inklusi disabilitas dan kesimpulan penelitian ini adalah bahwa elemen sinematik yang mendukung prinsip inklusi non-diskriminasi, kesadaran, partisipasi, dan aksesibilitas dapat secara efektif memperkuat narasi inklusif di media.

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