The Middle Eastern Culture and it's Representation in Walt Disney Pictures Movie "Aladdin" (2019)

  • Firda Ayuningtiyas Universitas Negeri Surabaya
  • Ali Mustofa Universitas Negeri Surabaya
Keywords: Aladin movie, representation, culture, cultural studies

Abstract

This article examined how Disney presents Middle Eastern culture in the film Aladdin (2019). To analyze the first research question in this article, the author used Cultural studies theory by Stuart Hall, which further examines the Middle Eastern cultural representations that may be related to the power shown in this film. In the first research question, there are 2 sub-chapters, namely the location setting used for the making of this film. It is known that the filming location of this film is built to resemble the Middle East region, and the costumes worn by the main characters in the film look like traditional Middle Eastern costumes. The second research question is about the influence of Western ideology on films. This question will address how Disney influences viewers' perspectives in the Middle East. The author has a statement that the character Princess Jasmine was created by Disney (west), which is a character that represents modern women. To examine the second question the author uses the theory of Orientalism by Edward said.

References

Alan Stewart / Aladdin - British Cinematographer. (n.d.). Retrieved May 21, 2021, from https://britishcinematographer.co.uk/alan-stewart-aladdin/
Ali, Z. F., Alamoudi, A., Alajmi, B., & Khayat, E. (2014). Traditional Sustainability : Environmental Middle East. December, 1–8.
Ambarita, R. S., & Efrata, T. E. (2019). Analysis of Messages and Perceptions about Feminism in the Aladdin Film ( 2019 ) In Affecting Global Awareness. American Journal of Humanities and Social Scienses Research (AJHSSR), 3(12), 184–189.
Barsam, R., & Monahan, D. (2010). Looking at Movie an Introduction to Film (P. Simon (Ed.); 3rd ed.). W. W. NORTON & COMPANY.
Cixous, H., Cohen, K., Cohen, P., & Cixous, H. (1976). The Laugh of the Medusa. Journal of Women in Culture and Society, 1(4), 880. http://about.jstor.org/terms
Hall, S. (1989). Cultural identity and cinematic representation. Framework: The Journal of Cinema and Media.
Hall, S. (2016). Cultural Studies 1983: A Theoretical History. In L. Dary Slack, Jennifer & Grossberg (Ed.), Cultural Studies 1983: A Theoretical History (Vol. 53, Issue 9). Duke University Press.
Jhally, S. (2005). Stuart Hall Representaion & the Media. Media Education Foundation, 3.
Jonoobi, M., Shafie, M., Shirmohammadli, Y., Ashori, A., & Zarea-, H. (2019). A Review on Date Palm Tree : Properties , Characterization and Its Potential Applications. Journal of Renewable Materials, 7(11). https://doi.org/10.32604/jrm.2019.08188
Jordan, P. (2021). Chapter 6 Turkish Fashion : Ottoman Times Until Today. 8–9.
Koç, F., & Koca, E. (2011). The clothing culture of the turks, and the Entari (Part 1: History). Folk Life, 49(1), 10–29. https://doi.org/10.1179/043087711X12950015416357
Koç, F., & Koca, E. (2012). The Clothing Culture of the Turks, and the Entari (Part 2: The Entari). Folk Life, 50(2), 141–168. https://doi.org/10.1179/0430877812Z.0000000009
Letaief, B. R. (2015). Stereotypes in Disney ’ s Classics : A Reflection and Shaping of American Culture. 7.
Misbah, B. (2019). Running head: Orientalism in One Jump Ahead or Behind? Princess Jasmine, The Magic Lamp, and A Whole New World: Cultural Representation, Identity, and Orientalism in Disney’s Aladdin (2019). 33–35.
Padiwalla, T. (2021). Decoding the Camera Movement That Gave ‘Aladdin’ a Perfect Opening Sequence! +. Entertaiment, 1–7. https://in.mashable.com/entertainment/3632/decoding-the-camera-movement-that-gave-aladdin-a-perfect-opening-sequence
Pictures, W. D. (2021). Walt Disney Pictures PG-13-rated films under the Walt Disney. The Disney Wiki. https://disney.fandom.com/wiki/Walt_Disney_Pictures
Ritchie, G., & August, J. (2019). ALADDIN Movie 2019 - Live Action. Disney Walt Pictures. https://narashika.club/aladdin-2019/
Said, E. W. (1978). Said, Edward (1977) Orientalism. London Penguin: Vol. (1st ed., Issue). Pantheon Books. https://libgen.is/book/index.php?md5=F7D8DB14EB015FA886B0E4F7AA2F3CE7
Scott, N. (2019). Speechless. Disney PP - United States. https://youtu.be/mw5VIEIvuMI
Storey, J. (2015). Cultural Theory and Popular Culture. In Cultural Theory and Popular Culture (7th ed.). Routladge. https://doi.org/10.4324/9781315744148
Theyssen, J. (2020). “ A whole new world ”? - A comparative analysis of Middle Eastern representation in Aladdin 1992 and Aladdin 2019. Master Thesis: International Relations - Culture and Politics, 33.
World Economic Forum. (2019). Global Gender Gap Report 2020: Insight Report. http://www3.weforum.org/docs/WEF_GGGR_2020.pdf
Yam, B. A. Z., & Khomeiri, M. (2015). Introduction to Camel origin, history, raising, characteristics, and wool, hair and skin: A Review. Research Journal of Agriculture and Environmental Management, 4(11), 496–508. http://www.apexjournal.org
Published
2021-12-22